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The artistic devices of painting-sculpture, photography, music, cinema and dance converge in the performative practice ‘iosonovulnerabile’, generating a powerful synergy that combines culture and nature, reality and abstraction.

In the compositional strength of the setup, the chromatic palette of the artistic devices organically merges with the soundtrack and sound, contributing to the polyphony of the exhibitions media used, thus involving a wide and diversified audience.

The Communicating Artistic Organisms act as flashes of pure color, integrating with black-and-white photos of prison environments, dusty files, and furniture from the 19th century, allowing the worlds of painting and reality to communicate deep inner impulses.

Music, sound, and video, equated to the scenographic component, are crucial elements that require particular attention to guide the transition from the dramaticity of the prison past to a creative context, intertwining conflicts in the intricate dynamics between art and reality with sensitivity and effectiveness.

Art is here designated as a bearer of a higher value and inner truth that surpasses its mere representation of the visible.

 

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